The easiest way is to prepare this in photoshop and later fine-tune in Bodypaint if desired. A depth map forms the basis for the final shape of Serena. Make Mograph selections for the clones you want to animate up or down. These shapes also offer the opportunity to render the correct luma maps for the post-production using object buffers. View your scene on various frames from your timeline to check for consistency. If you look through your solved 3D camera, you’ll see exactly how and whether they match your background footage. Step 2: Modellingīuild a few simple 3D shapes such as a "plane" for the table to catch shadows and the shape of an iPad with a screen to place your clones onto.
For the best tracking results, do not forget to remove extra moving elements - like the hand - with a mask from your camera tracker results. Without this step, it is practically impossible to mix 3D elements with moving 2D images. It seems almost too simple, but always first analyze where your camera is within the 3D environment by taking your footage through the Motion Tracking system. You simply cannot create anything if you do not know what it should be. For example, you must have footage, and you must have a clear view of the result. For the sake of convenience, I omit the logical steps. Below the- 6 basic steps with a few tips. Holographic Animations in Mograph | results in 6 stepsĪ lot of steps were needed to reach the end result. Razor-sharp renders over blurred backgrounds do not benefit credibility. Tip: Due to the low quality of the source file, after the pre-render from Cinema 4D, I applied several filters in AfterEffects to make it less attractive - and therefore more credible. Of course, it would have been wiser to shoot a film in a professional setting, but for testing purposes, it was good enough. I shot a video by hand with my Smartphone.
Holographic Animations in Mograph | What to pay attention to
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